- #The words to everyone has a story to tell portable
- #The words to everyone has a story to tell professional
New forms of media are creating new ways for people to record, express and consume stories. Contemporary storytelling is also widely used to address educational objectives. In addition to its traditional forms ( fairytales, folktales, mythology, legends, fables etc.), it has extended itself to representing history, personal narrative, political commentary and evolving cultural norms.
#The words to everyone has a story to tell professional
Oral stories continue to be created, improvisationally by impromptu and professional storytellers, as well as committed to memory and passed from generation to generation, despite the increasing popularity of written and televised media in much of the world. Stories have been carved, scratched, painted, printed or inked onto wood or bamboo, ivory and other bones, pottery, clay tablets, stone, palm-leaf books, skins (parchment), bark cloth, paper, silk, canvas and other textiles, recorded on film and stored electronically in digital form.
#The words to everyone has a story to tell portable
With the advent of writing and the use of stable, portable media, storytellers recorded, transcribed and continued to share stories over wide regions of the world. The results can be episodic (like the stories about Anansi), epic (as with Homeric tales), inspirational (note the tradition of vitae) and/or instructive (as in many Buddhist or Christian scriptures). Groups of originally oral tales can coalesce over time into story cycles (like the Arabian Nights), cluster around mythic heroes (like King Arthur), and develop into the narratives of the deeds of the gods and saints of various religions. Other stories, notably fairy tales, appear to have spread from place to place, implying memetic appeal and popularity. įolktales often share common motifs and themes, suggesting possible basic psychological similarities across various human cultures. Complex forms of tattooing may also represent stories, with information about genealogy, affiliation and social status.
People have used the carved trunks of living trees and ephemeral media (such as sand and leaves) to record folktales in pictures or with writing. The story was then told using a combination of oral narrative, music, rock art and dance, which bring understanding and meaning to human existence through the remembrance and enactment of stories. The Australian aboriginal people painted symbols which also appear in stories on cave walls as a means of helping the storyteller remember the story. Some archaeologists believe that rock art, in addition to a role in religious rituals, may have served as a form of storytelling for many ancient cultures. The earliest forms of storytelling were usually oral, combined with gestures and expressions. Storytelling, intertwined with the development of mythologies, The epic of Pabuji is an oral epic in the Rajasthani language that tells of the deeds of the folk hero-deity Pabuji, who lived in the 14th century.
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